We saw the play, “The Prom,” recently at the College of Southern Maryland (CSM). My son Brady was in the ensemble. He’s always loved to sing and act. He hadn’t been in a play since seventh grade (2019). He had the lead role in the eighth-grade play, “Annie,” but COVID cancelled it. I always thought that loss was hard on him. He turned his attention to baseball, playing for North Point (his high school) and for another travel team. He even dabbled with playing baseball in college, but it never quite worked out. That was a disappointment at the time. But, in hindsight, I’m not sure it was supposed to. I think God may have something else in store for Brady…
My email address is al_can_dance. I chose it years ago when I was first learning ballroom dancing during graduate school. I took dance classes during graduate school and for quite a few years afterward. I danced in some showcases; we even did a choreographed dance routine at our wedding. I have fallen out of practice with dancing in recent years, nevertheless my email identity endures.
Honestly, I never thought I was that great at ballroom dancing, but I liked the structure of ballroom dancing as opposed to freestyle where it seemed you made it up as you go. My body didn’t seem to want to do that – ever. Given I now know I am autistic, I guess there was a physiological reason why it was always so hard to just “get up and dance.” The fact that I don’t consume alcohol excessively at parties might also play into the equation.
But now there’s now a worthy heir to the can_dance mantra in the Ward family: Brady can dance!
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My son Brady in the CSM production of "The Prom" |
I knew that my son had been working hard the past few months to prepare for the play. He had commented not long after rehearsals started in January that he had to learn to dance. He seemed to have a bit of trepidation at first, but he spent lots of hours practicing in our family room. He’d get a little conscientious when people paid attention to him for too long. I came down the stairs once while he was practicing in the family room. He looked up and said, “Hi dad,” then went back to what he was doing. I kept walking and let him do his thing.
Let’s just say I became quite familiar with many of the songs in the play long before we saw it. (I had also seen a movie version of “The Prom” before.). Brady would rehearse the moves over and over again. He would play the soundtrack on his phone incessantly wherever he went. He would watch YouTube videos of other productions of “The Prom.” But I have to say, all that hard work paid off! He looked genuinely happy be on the stage again after a long hiatus.
Last fall was challenging for Brady. In his first semester of college, he started out taking Engineering classes. It was arough first semester. Engineering just doesn’t fit who Brady truly is, He tried baseball. While he loves the game and comes alive on the field, I think even his passion for baseball pales to what I saw on stage the other night. Singing and dancing clearly brings Brady alive.
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After the show. |
I think Brady might be finding his way to following the sage advice of Howard Thurman, who said:
“Don’t ask what the world needs. Ask what makes you come alive and go do it. Because what the world needs is people who have come alive.”
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It seems somehow fitting that Brady, who as a young adult is discovering more about who he is, was in a play that focuses so much on “coming out” before the world. [CAUTION: Plot spoilers ahead…]
The story focuses a lesbian high school student named Emma Nolan, who is coming to terms with her genuine self in the conservative state of Indiana. Her partner, Alyssa Greene, is the daughter of the school’s PTA leader, who clearly has traditional views on homosexuality. Mrs. Greene works to keep Emma from attending prom, and when that fails, manages to get the whole event cancelled. Later, when her efforts are thwarted through legal action and the prom is reinstated, Mrs. Greene organizes an effort to move the event to a new venue and make sure everyone knows – everyone, that is, except Emma. She ends up humiliated when she shows up in her prom dress to an empty gym. Not even Alyssa is there. In the end, even Emma’s partner went along with the switch.
In “The Prom” we see the furor that’s caused in a small town in the Midwest when one LGBTQ person simply wants to attend prom with the person she loves and with her fellow students. So much so that the story goes national, attracting the attention of some actors in New York. They at first see this cause as something they can get behind to help rebuild their reputations and help their struggling careers. However, by the end of the play, they come to see beyond themselves and their own self-interests and help Emma have the Prom she deserves.
There comes a point in the second act where Emma can’t hide who she is any longer. The actors want her to go on TV to tell her story. But Emma can’t do that. She will tell her story to the world – but she will do it her way. She does so by singing a beautiful song called “Unruly Heart.”
Some hearts can conform
Fitting the norm
Flaunting their love for all to see
I tried to change
Thinking how easy life could be
I just kept on failing
I guess that was a sign
That there wasn’t much hope
For this unruly heart of mine
Then you came along
And right or wrong
Feelings began to overflow
We had to hide
Thinking no one else could know
And not having you near me
Was where I drew the line
So, I had to conceal
This poor unruly heart of mine
And though I don’t know how or when
But somehow, I learned to see
No matter what the world might say
This heart is the best part of me! So
So, fears, all in the past
Fading so fast
I won’t stay hidden anymore
I’m who I am
And I think that’s worth fighting for
And nobody out there ever gets to define
That life I’m meant to lead
With this unruly heart of mine.
Like Emma, I think Brady is discovering who he genuinely is. I think maybe Engineering was something of a False Self (discussed below) for him. I get the sense he was doing what he felt like others (his parents) wanted him to do or what some of his friends from high school were doing. But those topics just don’t fit my son.
What any parent wants most want for their child is for them to be and become the person God made them to be.
Brady is clearly good at acting—and dancing. He comes alive when he does it. It’s wonderful to witness. I was so proud of my boy when I saw him doing something that brings a smile to his face.
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Of course, Brady isn’t the only one who’s been coming to terms with who he is. I think we all find ourselves wearing masks in our lives that we need to take off. My last blog post was about how I have been hiding from the world who I truly am and have begun unmasking.
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Unmasking |
When I heard “Unruly Heart” the song lyrics spoke to me. I felt like it was no coincidence that I was sitting in that auditorium at CSM. I feel like God used the plot of “The Prom” to speak to me. (I don’t recall the movie version impacting me the same way.) When I heard “Unruly Heart” I thought of my own journey of unmasking, of perhaps for the first time, being truly honest (genuine) about who God has made me to be, which I shared about in my last article.
I’m convinced that, risky and vulnerable as it can feel to reveal it, we conceal our “unruly hearts” from each other at our own peril. The world tells us there’s a certain orthodox way of being and we feel pressure to conform to it. We experience shame – feeling that we ourselves are defective or unworthy or wrong – when we perceive we’re different from “normal.” We learn to mask our differences – to do what we think others want us to do to be socially accepted. We even try to conceal who we are from God – as if that’s possible.
I think the plot of “The Prom” is a great Lenten metaphor. Emma gradually unmasks who she truly is to the world. For Christ-followers, the Lenten season is all about bringing who we truly are before God – without apology. It’s a liturgical season that leads up to Easter where God beckons us to intentionally focus on confronting and ruthlessly eliminating those people and things from our lives that make us want to cover up our true identity – as a uniquely created beloved child of God.
“The Prom” makes it clear that Emma’s choice to unmask wasn’t easy – and neither is it an easy choice for Christians to make during Lent, or any other season. It’s easier to stay hidden – or to unmask only in controlled or “safe” contexts. Our culture encourages us to hide behind all sorts of masks. Everyone is doing it, so why shouldn't we be just like everyone else? "Conceal... don't feel," right?
In "The Prom," Emma’s girlfriend Alyssa wanted to go that route. She wanted to keep their relationship masked – you know, "just between them." She didn’t trust what would happen if “the world” found out about them. She tries to make Emma understand why she's doing this when she sings about what it’s like to be “Alyssa Greene.”
While Emma understands Alyssa's concerns as well as anyone, she's also hurt when her partner makes this choice. She decides to break up with Alyssa . In one of the song lyrics at the end of the first act, Emma laments that – at the end of the day – “the night belonged to them.”
But as the second act unfolds, Emma reaches a point where she realizes she can no longer hide her identify with integrity. She decides to tell the whole world (or at least the millions who view her song on the Internet) who she is. Her choice to share her truth impacts others for the good. They begin to share with her their own similar stories to the song lyrics of “Unruly Heart.”
I hope the same might be true for Christ followers during Lent that was true for Emma in “The Prom” – that as we share our truths, it would make others feel safe to share theirs.
Not long before he died, Howard Thurman gave the commencement address at Spelman College. During that address he speaks of the Sound of the Genuine. In that speech, Thurman said:
“Now if I hear the Sound of the Genuine in Me, and if you hear the Sound of the Genuine in You, it is possible for me to go down in me and come up in you. So that when I look at myself through your eyes having made that pilgrimage, I see in me what you see in me and the wall that separates and divides will disappear and we will become one because the sound of the genuine makes the same music.”
I interpret this to mean that when the Genuine in Me meets the Genuine in You (or, we could say, the Genuine in the Other) is when Genuine Encounter between souls becomes possible – and when we can experience our deepest connection (or union) with God.
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Another term theologians and therapists use for masking is the False Self. There are messages we tell ourselves about who we are – or that others have told us – that wound us at the core of our being. They become imprinted on our soul. Over the years, we internalize them, to the point where we believe they define who we are. So, we create a False Self to avoid the pain of these core wounds.
We might create this False Self when we are young to protect us and help us survive toxic family situations, or for a host of other reasons. So, the False Self isn’t necessarily a Bad Self; it serves a purpose in our development. However, there comes a point where, if we are to thrive as God intended (John 10:10), the False Self must give way to the Genuine Self. We tend to cling to the False Self long after it has served its purpose because we fear what will happen when the truth is revealed: What will others think?? Will they be able to handle the Genuine Me?
Letting go of the False Self parallels walking the Threefold Way – discussed in my previous article. Stripping away the False Self (purgation) before God and one another is not easy – but it must be done to allow God’s light to shine upon places that have long been shrouded in darkness (illumination). In the Light of Christ, we begin to see ourselves differently. The False Self slowly loses its grip on us, our connection to God deepens (union) and the Genuine Self begins to emerge.
Like Emma in “The Prom,” we have to reach a point where the fear of what will happen to us if we stay hidden surpasses our fear of revealing our Genuine Selves to the world.
As Howard Thurman reminds us, what the worlds needs most is the “fully alive” versions of ourselves – i.e., the Genuine in You and the Genuine in Me having Genuine Encounters with each other and with God. And friends, as Emma Noland realized, that’s something worth fighting for.
During the season of Lent, God invites all of us who follow Jesus to come out – to name and claim who we are and whose we are. With that said, You – and only You – can decide when and to whom you reveal your Genuine Self. Nobody out there can force you. In the end, it’s up to you.
You get to decide the life you’re meant to lead with that unruly – God-given – heart of yours.